HONGXI LICV
EN /

IG: @SASSYLI
EMAIL: hongxiliwork@gmail.com
Hongxi Li (b. 1996, Xiamen, China) is a London-based artist whose concept-driven practice spans sculpture, installation, performance, moving image, and photography. Her work examines how social systems and power structures shape behaviour, emotion, and the body, with a focus on post-communist and Sino-capitalist contexts.

Li frequently draws on familiar objects and design—from furniture to architectural forms—using them as both research material and artistic medium to question control, territory, and systems of belief. Her installations often provide spatial frameworks for performance narratives. Central to her practice is Jolene, a recurring fictional persona who appears across projects as both character and medium. Dressed in grey corporate attire, Jolene embodies an East Asian female archetype through which Li distorts social roles and explores collective pressure, aspiration, and emotional discomfort. Through subtle humour, Li’s work reveals the fragile balance between individual agency and the structures that shape contemporary life.



Catalogue No Project

020.2025

ANAPPOINTMNET


019.2025

BLACK HOLE LOUNGE


018.2024

JOLENE’S NEW CLOTHES


017.2024

HEAVEN GREEN


016.2024

QUANTA


015.2024

SANDCASTLE


014.2024

YES YES YES


013.2023

THE ‘NEXT’ DINER


012.2023

ONE NIGHT


011.2022

TRAVEL LIGHT


010.2022

AT WORK ON DISPLAY


009.2022

SHAPED


008.2022

DREAM RICH


007.2022

SCHOOL CHAIR


006.2021

CONSTRAINT SERISE


005.2014

BOW SERIES


004.2021

EXHAUSTION SERIES


003.2021

 UNCERTAINTY SERIES


002.2018

NEW SKY CITY


001.2014

SWEATSHOP&DREAM






001.2014_Sweatshop & Dream


 Title: Sweatshop & Dream
Year: 2014
Medium: Installation
Exhibited at:
 SanDao Gallery, Xiamen, CN (2014)


Sweatshop & Dream marks the beginning of Li’s ongoing investigation into labour, control, and the hidden systems that structure everyday life. Developed during her foundation year in London, the project took the form of an immersive installation that transformed the gallery into a darkroom in response to the realities of sweatshop labour.

The project was prompted by the widely reported worker suicides at Foxconn factories, which exposed harsh and restrictive working conditions, including limited breaks and the erosion of basic rights. Alongside researching these reports, Li visited small factories in her hometown of Xiamen, China, photographing sites, interviewing workers, and gathering first-hand accounts of cramped environments, poor lighting, and extreme temperatures.

Within the exhibition, copies of the collected research materials were sealed in transparent plastic bags and displayed throughout the darkened space. Visitors were required to wear headlamps to navigate the exhibition and read the documents, placing them physically within an environment shaped by limited visibility and heightened effort.

The installation culminated in a mountain of stacked toilets illuminated by red heating lamps. Tin foil lined the walls, reflecting the heat and light to create a furnace-like atmosphere. The excess of toilets evoked the overwhelming number of workers and the sense of neglect embedded in factory systems.
Sweatshop & Dream draws attention to the human cost behind global manufacturing, confronting viewers with the ethical implications of consumption and the mechanisms of exploitation within assembly-line production.




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