HONGXI LICV
EN /

IG: @SASSYLI
EMAIL: hongxiliwork@gmail.com
Hongxi Li (b. 1996, Xiamen, China) is a London-based artist whose concept-driven practice spans sculpture, installation, performance, moving image, and photography. Her work examines how social systems and power structures shape behaviour, emotion, and the body, with a focus on post-communist and Sino-capitalist contexts.

Li frequently draws on familiar objects and design—from furniture to architectural forms—using them as both research material and artistic medium to question control, territory, and systems of belief. Her installations often provide spatial frameworks for performance narratives. Central to her practice is Jolene, a recurring fictional persona who appears across projects as both character and medium. Dressed in grey corporate attire, Jolene embodies an East Asian female archetype through which Li distorts social roles and explores collective pressure, aspiration, and emotional discomfort. Through subtle humour, Li’s work reveals the fragile balance between individual agency and the structures that shape contemporary life.



Catalogue No Project

020.2025

ANAPPOINTMNET


019.2025

BLACK HOLE LOUNGE


018.2024

JOLENE’S NEW CLOTHES


017.2024

HEAVEN GREEN


016.2024

QUANTA


015.2024

SANDCASTLE


014.2024

YES YES YES


013.2023

THE ‘NEXT’ DINER


012.2023

ONE NIGHT


011.2022

TRAVEL LIGHT


010.2022

AT WORK ON DISPLAY


009.2022

SHAPED


008.2022

DREAM RICH


007.2022

SCHOOL CHAIR


006.2021

CONSTRAINT SERISE


005.2014

BOW SERIES


004.2021

EXHAUSTION SERIES


003.2021

 UNCERTAINTY SERIES


002.2018

NEW SKY CITY


001.2014

SWEATSHOP&DREAM






016.2023_One Night


 Title: One Night
Year: 2023
Medium: Installtion, Photograghy
Exhibited at:
 Hybrid Art Fair, Madrid, ES (2023)


One Night is a series of installations and photographs exploring the emotional, physical, and social complexities surrounding sex work, addressing themes of labour, stigma, power, and agency. The project was developed at the invitation of curators Carolina Fernández-Castrillo and Vanessa Murrell as part of their research into the sex work industry in Spain. Drawing on interviews and personal stories gathered during their investigation, Li responds to the recurring presence of hotel environments within these narratives. Objects such as bed sheets, slippers, towels, and showers become the material language of the work. Photographs of anonymous models interacting with the installation extend and document the project’s narrative.

Wrinkles in My Sheet presents a vibrant fuchsia sculpture encased within matching bed sheets, symbolising the lasting traces of sexual labour. Unlike the everyday ritual of smoothing creases each morning, the work disrupts order and leaves enduring marks, confronting what may have unfolded overnight. It acts as a tactile metaphor for emotional and physical strain while pointing to the broader lack of support for marginalised communities.

John and I consists of two pairs of hotel slippers positioned face to face. Embroidered in pink, one pair reads “€€ / €€€” to signify financial exchange, while the other reads “yes / or yes,” prompting reflection on consent, negotiation, and satisfaction. By pairing “John” with “I,” the title subtly reclaims agency and challenges conventional client–worker narratives.

In Washed My Dream Away, thick, murky water resembling blood fills a shower and resists drainage, evoking the difficulty of leaving the profession. Sinking golden stars suggest aspirations swallowed by labour, stigma, and survival. Finally, Wiping The Shame Away presents embroidered towels that gesture toward relief, release, and renewal.





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