HONGXI LICV
EN /

IG: @SASSYLI
EMAIL: hongxiliwork@gmail.com
Hongxi Li (b. 1996, Xiamen, China) is a London-based artist whose concept-driven practice spans sculpture, installation, performance, moving image, and photography. Her work examines how social systems, mass production hierarchy and power structures shape behaviour, emotion, and the body, with a focus on post communist and Sino-capitalist contexts. 

Li frequently draws on familiar objects and design, from furniture to architectural forms, are outcome of her research and critique of control, territory, and systems of belief. Her installations often provide spatial frameworks for performance narratives. Central to her practice is Jolene, a recurring fictional persona who appears across projects as both character and medium. Dressed in grey corporate attire, Jolene embodies an East Asian female archetype through which Li distorts social roles and explores collective pressure, aspiration, and emotional discomfort. Through subtle humour, Li’s work reveals the fragile balance between  individual agency and the structures that shape contemporary life. 



Catalogue No Project

020.2025

ANAPPOINTMNET


019.2025

BLACK HOLE LOUNGE


018.2024

JOLENE’S NEW CLOTHES


017.2024

HEAVEN GREEN


016.2024

QUANTA


015.2024

SANDCASTLE


014.2024

YES YES YES


013.2023

THE ‘NEXT’ DINER


012.2023

ONE NIGHT


011.2022

TRAVEL LIGHT


010.2022

AT WORK ON DISPLAY


009.2022

SHAPED


008.2022

DREAM RICH


007.2022

SCHOOL CHAIR


006.2021

CONSTRAINT SERISE


005.2014

BOW SERIES


004.2021

EXHAUSTION SERIES


003.2021

 UNCERTAINTY SERIES


002.2018

NEW SKY CITY


001.2014

SWEATSHOP&DREAM






012.2022_Travel Light


 Title: Travel Light
Year: 2022
Medium:Kinetic Sculpture, Performance, Moving Image
Commissioned by: RIMOWA
Exhibited at:
 West Bund Art and Design fair, Shanghai, CN (2025)
Kupfer Project, London, UK (2023)
As Seen By, RIMOWA, Berlin, DE (2022)


Travel Light, a commissioned work by luxury brand RIMOWA, explores themes of freedom, ownership, and material desire through a combination of kinetic sculpture and performance, documented using iPhone video. The commission was part of the brand’s international touring art initiative As Seen By.

The work repurposes a signature lightweight suitcase from the luxury luggage manufacturer into a deliberately non-functional object fitted with a heavy-duty shredder. By transforming a symbol of protection and mobility into a device of destruction, the sculpture questions conventional ideas of security and invites viewers to reconsider their relationship with material goods.

During the performance activation, items associated with luxury and status — including a mini black dress and a diamond necklace — are systematically shredded and dismantled. This gesture becomes a metaphor for liberation from possession and a reflection on societal attitudes toward ownership, aspiration, and excess.

By shifting the suitcase’s function from protection to destruction, Travel Light reflects on the meaning of freedom, particularly for those who face barriers to mobility. A transparent panel reveals the ongoing destruction inside the luggage, offering a direct view into the process and encouraging reflection on consumerism and desire.

Through this work, audiences are invited to confront the tensions between travel, status, and ownership, and to consider what it might mean to move through the world more lightly.





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