HONGXI LICV
EN /

IG: @SASSYLI
EMAIL: hongxiliwork@gmail.com
Hongxi Li (b. 1996, Xiamen, China) is a London-based artist whose concept-driven practice spans sculpture, installation, performance, moving image, and photography. Her work examines how social systems, mass production hierarchy and power structures shape behaviour, emotion, and the body, with a focus on post communist and Sino-capitalist contexts. 

Li frequently draws on familiar objects and design, from furniture to architectural forms, are outcome of her research and critique of control, territory, and systems of belief. Her installations often provide spatial frameworks for performance narratives. Central to her practice is Jolene, a recurring fictional persona who appears across projects as both character and medium. Dressed in grey corporate attire, Jolene embodies an East Asian female archetype through which Li distorts social roles and explores collective pressure, aspiration, and emotional discomfort. Through subtle humour, Li’s work reveals the fragile balance between  individual agency and the structures that shape contemporary life. 



Catalogue No Project

020.2025

ANAPPOINTMNET


019.2025

BLACK HOLE LOUNGE


018.2024

JOLENE’S NEW CLOTHES


017.2024

HEAVEN GREEN


016.2024

QUANTA


015.2024

SANDCASTLE


014.2024

YES YES YES


013.2023

THE ‘NEXT’ DINER


012.2023

ONE NIGHT


011.2022

TRAVEL LIGHT


010.2022

AT WORK ON DISPLAY


009.2022

SHAPED


008.2022

DREAM RICH


007.2022

SCHOOL CHAIR


006.2021

CONSTRAINT SERISE


005.2014

BOW SERIES


004.2021

EXHAUSTION SERIES


003.2021

 UNCERTAINTY SERIES


002.2018

NEW SKY CITY


001.2014

SWEATSHOP&DREAM






020.2025_Black Hole Lounge


 Title: Black Hole   Lounge
Year: 2025
Medium: Sculpture
Commissioned by: STRUCTURA and Reel,Shanghai
Exhibited at:
 West Bund Art and Design fair, Shanghai, CN (2025),
Assembly by Reel, Shanghai, CN (2025),


Black Hole Lounge was commissioned by menswear brand STRUCTURA as part of their In Conversation With series and presented as a conceptual display at REEL Mall, Shanghai.

The work explores a paradoxical space of cold intimacy. The historical evolution of the sofa—from ancient daybeds to plush European seating—reflects a continuous pursuit of comfort and domestic ease. Black Hole Lounge distorts this familiar object, transforming a place of rest into a site of subtle confinement. Its padded cushions press inward, holding the sitter in a soft yet suffocating embrace where comfort becomes constraint and security begins to resemble containment.

Encircling its occupants in an unbroken loop, the sofa’s circular form evokes a black hole: an endless, consuming void. Like a wheel in motion without progress, it reflects the repetitive cycles of contemporary life—our pursuit of convenience, speed, and efficiency without true release. We sit together yet remain alone, absorbed in devices and distanced by routine. Black Hole Lounge captures this condition of cold intimacy, where proximity lacks warmth and closeness feels remote. Drawn in by comfort, we continue to orbit its centre.




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