HONGXI LICV
EN /

IG: @SASSYLI
EMAIL: hongxiliwork@gmail.com
Hongxi Li (b. 1996, Xiamen, China) is a London-based artist whose concept-driven practice spans sculpture, installation, performance, moving image, and photography. Her work examines how social systems, mass production hierarchy and power structures shape behaviour, emotion, and the body, with a focus on post communist and Sino-capitalist contexts. 

Li frequently draws on familiar objects and design, from furniture to architectural forms, are outcome of her research and critique of control, territory, and systems of belief. Her installations often provide spatial frameworks for performance narratives. Central to her practice is Jolene, a recurring fictional persona who appears across projects as both character and medium. Dressed in grey corporate attire, Jolene embodies an East Asian female archetype through which Li distorts social roles and explores collective pressure, aspiration, and emotional discomfort. Through subtle humour, Li’s work reveals the fragile balance between  individual agency and the structures that shape contemporary life. 



Catalogue No Project

020.2025

ANAPPOINTMNET


019.2025

BLACK HOLE LOUNGE


018.2024

JOLENE’S NEW CLOTHES


017.2024

HEAVEN GREEN


016.2024

QUANTA


015.2024

SANDCASTLE


014.2024

YES YES YES


013.2023

THE ‘NEXT’ DINER


012.2023

ONE NIGHT


011.2022

TRAVEL LIGHT


010.2022

AT WORK ON DISPLAY


009.2022

SHAPED


008.2022

DREAM RICH


007.2022

SCHOOL CHAIR


006.2021

CONSTRAINT SERISE


005.2014

BOW SERIES


004.2021

EXHAUSTION SERIES


003.2021

 UNCERTAINTY SERIES


002.2018

NEW SKY CITY


001.2014

SWEATSHOP&DREAM






019.2024_Jolene’s New Clothes


 Title: Jolene’s New Clothes
Year: 2024
Medium: Editorial
In collaboration with: Twist Magazine
 Published by: Twist Magazine, Issue 04


Invited by Twist Magazine for its 4th issue, Li collaborated with the magazine on an editorial centred on her fictional character, Jolene. Inspired by Vogue Magazine 73 Questions and the fable The Emperor’s New Clothes, the shoot blurs illusion and reality, fashion and performance.

Luxury items are transformed into stuffed, sculptural forms, while Jolene’s grey office suit becomes a protective barrier between her body and a world she does not fully belong to. The familiar language of high fashion is stripped of function and authority, turning aspiration into something fragile, awkward, and absurd.

The narrative begins with Jolene being “scouted” outside Selfridges and invited to become the face of the editorial. This premise allowed the artist to write Jolene’s first scripted interview—her first spoken performance—marking the first time her life is articulated entirely from her own point of view. The editorial interview text was developed in collaboration with magazine co-producer Fin Cousins and writer Vanessa Murrell.

Following the rapid, fragmented structure of 73 Questions, the interview moves through topics of fashion, work, and daily life. Of particular importance is Jolene’s account of work: she reflects on the performances she has appeared in across Li’s practice, not as artworks, but as lived experiences. These moments accumulate into a partial autobiography, revealing how her identity is shaped through labour, visibility, and repeated acts of fitting in—and failing to belong.





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